Foxtrot

United States, 1910s

FOXTROT

The jazz glide of the grand ballrooms

Foxtrot was born in the United States in the 1910s, popularized by vaudeville and by the dance duo Vernon and Irene Castle. It synthesizes ragtime, the military march, and the glide of the Waltz to create a fluid, progressive four-beat couple dance suited to the new jazz orchestras.

Its two modern versions — the Slow Foxtrot codified in London and the American social Foxtrot — are found today in every ballroom dance school, and serve as the foundation for many variations (Quickstep, "social swing" dance, and so on).

How it's danced

Technique & figures

Foxtrot is danced as a couple, in closed hold, to four-beat tracks between 30 and 34 bars per minute (Slow Foxtrot). The classic rhythm alternates slow steps (2 counts) and quick steps (1 count), following the Slow-Slow-Quick-Quick formula.

Styles and fundamentals

The posture is tall, the body's axis stable, and the steps are glided, with constant contact with the floor. Travel always follows the line of dance.

Main figures

  • 01

    Feather step

    Three progressive gliding steps, the basic building block of Slow Foxtrot.

  • 02

    Three step

    A sequence of three quick steps used to resume progression.

  • 03

    Reverse turn

    A progressive left turn, very characteristic of Slow Foxtrot.

Reading the music

American jazz and crooners (Frank Sinatra, Nat King Cole, big band orchestras).

Did you know?

Harry Fox

01

The name is said to come from vaudeville comedian Harry Fox, whose syncopated walk on stage in 1914 supposedly gave the dance its name.

Father of Quickstep

02

When jazz orchestras sped up their tempo in the 1920s, the fast Foxtrot broke off into a dance of its own: Quickstep.

Explore the rhythms

Cross connections

Styles from other families that share a common language with Foxtrot.